THE SANTA CLOSET - HOUSES ON THE MOON

Christopher Caz - TheaterScene.net

The lighting design by Christopher Chambers skillfully aids in Solomon’s transitions between scenes and characters.

JOSE LIMON DANCE FOUNDATION - 2019 JOYCE SEASON

 Christine Jowers - dance-enthusiast.com

Christopher Chambers lighting for this and all the pieces of the Limón 2019 program deserves the highest praise.

PRIDE & PREJUDICE

 Jerry Hochman - CriticalDance.org

The scenic design and projections by Omar Ramos, enhanced by Christopher Chambers’s lighting, bathe the stage in a watercolor-like ambience evocative of expansive country estates and social gathering areas within them.

DANIEL

Elizabeth Zimmer - The Village Voice

Parsons soloists work in Christopher S. Chambers’ tactical spotlights, entering and exiting subtly.

PETER PAN

Jon W. Sparks - commercialappeal.com

Later scenes in Neverland are boldly designed and colorfully illuminated (lighting design is by Christopher S. Chambers), from lush forests to the pirate ship

THE 39 STEPS

Leslie Meier - Barnstable Patriot

The success of the show owes a great deal to lighting.

HELLO DOLLY!

Roger Shoemaker - Cape Cod Times

Scenic designer Paul Tate Depoo III, costume designer Gail Baldoni and lighting designer Christopher S. Chambers have combined their talents to provide as elegant a theatrical spectacle.

THE DERSHOWITZ PROTOCAL

Jo Ann Rosen - nytheatre.com

Christopher Chambers outdoes himself with lighting.

THOROUGHLY MODERN MILLIE

Melora North - Barnstable Patriot

A New York skyline as the basic backdrop takes on different dimensions with the astute lighting by: Christopher S. Chambers that, in every scene, perfectly matches the actors' costumes.

THE RINK

Nancy Grossman - broadwayworld.com

The costumes and lighting add dramatic effect and bring the characters believably to life.