top of page
CHRISTOPHER S. CHAMBERS
THE SANTA CLOSET - HOUSES ON THE MOON
Christopher Caz - TheaterScene.net
The lighting design by Christopher Chambers skillfully aids in Solomon’s transitions between scenes and characters.
JOSE LIMON DANCE FOUNDATION - 2019 JOYCE SEASON
Christine Jowers - dance-enthusiast.com
Christopher Chambers lighting for this and all the pieces of the Limón 2019 program deserves the highest praise.
PRIDE & PREJUDICE
Jerry Hochman - CriticalDance.org
The scenic design and projections by Omar Ramos, enhanced by Christopher Chambers’s lighting, bathe the stage in a watercolor-like ambience evocative of expansive country estates and social gathering areas within them.
Elizabeth Zimmer - The Village Voice
Parsons soloists work in Christopher S. Chambers’ tactical spotlights, entering and exiting subtly.
Jon W. Sparks - commercialappeal.com
Later scenes in Neverland are boldly designed and colorfully illuminated (lighting design is by Christopher S. Chambers), from lush forests to the pirate ship
THE 39 STEPS
Leslie Meier - Barnstable Patriot
The success of the show owes a great deal to lighting.
Roger Shoemaker - Cape Cod Times
Scenic designer Paul Tate Depoo III, costume designer Gail Baldoni and lighting designer Christopher S. Chambers have combined their talents to provide as elegant a theatrical spectacle.
THE DERSHOWITZ PROTOCAL
Jo Ann Rosen - nytheatre.com
Christopher Chambers outdoes himself with lighting.
THOROUGHLY MODERN MILLIE
Melora North - Barnstable Patriot
A New York skyline as the basic backdrop takes on different dimensions with the astute lighting by: Christopher S. Chambers that, in every scene, perfectly matches the actors' costumes.
Nancy Grossman - broadwayworld.com
The costumes and lighting add dramatic effect and bring the characters believably to life.
bottom of page