GREASE - ARGYLE THEATER
Nicholas Pontolillo - BroadwayWorld.com
Contenti compiled a stellar crew to help create his vision. Steven Velazquez’s set design is a perfect amalgamation of all three Broadway productions, which is further amplified by the excellent lighting design by Christopher Chambers.
THE SANTA CLOSET - HOUSES ON THE MOON
Christopher Caz - TheaterScene.net
The lighting design by Christopher Chambers skillfully aids in Solomon’s transitions between scenes and characters.
JOSE LIMON DANCE FOUNDATION - 2019 JOYCE SEASON
Christine Jowers - dance-enthusiast.com
Christopher Chambers lighting for this and all the pieces of the Limón 2019 program deserves the highest praise.
PRIDE & PREJUDICE
Jerry Hochman - CriticalDance.org
The scenic design and projections by Omar Ramos, enhanced by Christopher Chambers’s lighting, bathe the stage in a watercolor-like ambience evocative of expansive country estates and social gathering areas within them.
Elizabeth Zimmer - The Village Voice
Parsons soloists work in Christopher S. Chambers’ tactical spotlights, entering and exiting subtly.
Jon W. Sparks - commercialappeal.com
Later scenes in Neverland are boldly designed and colorfully illuminated (lighting design is by Christopher S. Chambers), from lush forests to the pirate ship
THE 39 STEPS
The success of the show owes a great deal to lighting.
Scenic designer Paul Tate Depoo III, costume designer Gail Baldoni and lighting designer Christopher S. Chambers have combined their talents to provide as elegant a theatrical spectacle.
THE DERSHOWITZ PROTOCAL
Jo Ann Rosen - nytheatre.com
Christopher Chambers outdoes himself with lighting.
THOROUGHLY MODERN MILLIE
Melora North - Barnstable Patriot
A New York skyline as the basic backdrop takes on different dimensions with the astute lighting by: Christopher S. Chambers that, in every scene, perfectly matches the actors' costumes.
The costumes and lighting add dramatic effect and bring the characters believably to life.